The soldiers within were laid out as if to protect the tomb from the east, where the Qin Emperor's conquered states lay.
This design was also used for the tombs of nobles and would have resembled palace hallways when built. Pit 2 has cavalry and infantry units as well as war chariots and is thought to represent a military guard. Pit 3 is the command post, with high-ranking officers and a war chariot. Pit 4 is empty, perhaps left unfinished by its builders. Some of the figures in Pits 1 and 2 show fire damage, while remains of burnt ceiling rafters have also been found.
The terracotta figures currently on display have been restored from the fragments. Other pits that formed the necropolis have also been excavated. They variously contain bronze carriages, terracotta figures of entertainers such as acrobats and strongmen, officials, stone armour suits, burial sites of horses, rare animals and labourers, as well as bronze cranes and ducks set in an underground park. The terracotta figures are life-sized.
They vary in height, uniform, and hairstyle in accordance with rank. Their faces appear to be different for each individual figure; scholars, however, have identified 10 basic face shapes. Originally, the figures were painted with ground precious stones, intensely fired bones white and pigments of iron oxide dark red , cinnabar red , malachite green , azurite blue , charcoal black , cinnabar barium copper silicate mix purple , tree sap from a nearby source, more than likely from the Chinese lacquer tree brown  and various other colors including pink, lilac and one unknown color.
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However, in Xi'an 's dry climate, much of the animated color coating would flake off in less than four minutes after removing the mud surrounding the army. Some scholars have speculated a possible Hellenistic link to these sculptures, because of the lack of life-sized and realistic sculptures before the Qin dynasty. The terracotta army figures were manufactured in workshops by government laborers and local craftsmen using local materials.
Heads, arms, legs, and torsos were created separately and then assembled by luting the pieces together. When completed, the terracotta figures were placed in the pits in precise military formation according to rank and duty. The faces were created using molds , and at least ten face molds may have been used.
This would classify the process as assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting one solid piece and subsequently firing it. In those times of tight imperial control, each workshop was required to inscribe its name on items produced to ensure quality control.
This has aided modern historians in verifying which workshops were commandeered to make tiles and other mundane items for the terracotta army. Most of the figures originally held real weapons, which would have increased their realism. The majority of these weapons were looted shortly after the creation of the army or have rotted away. Despite this, over 40, bronze items of weaponry have been recovered, including swords, daggers, spears, lances, battle-axes, scimitars, shields, crossbows, and crossbow triggers.
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Most of the recovered items are arrowheads, which are usually found in bundles of units. The slightly alkaline pH and small particle size of the burial soil most likely preserved the weapons.
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The swords contain an alloy of copper, tin, and other elements including nickel, magnesium, and cobalt. In , scientists at Stanford University and the Advanced Light Source facility in Berkeley, California, reported that powder diffraction experiments combined with energy-dispersive X-ray spectroscopy and micro-X-ray fluorescence analysis showed that the process of producing terracotta figures colored with Chinese purple dye consisting of barium copper silicate was derived from the knowledge gained by Taoist alchemists in their attempts to synthesize jade ornaments. Since , an international team of researchers at the UCL Institute of Archaeology have been using analytical chemistry techniques to uncover more details about the production techniques employed in the creation of the Terracotta Army.
Using X-ray fluorescence spectrometry of 40, bronze arrowheads bundled in groups of , the researchers reported that the arrowheads within a single bundle formed a relatively tight cluster that was different from other bundles. In addition, the presence or absence of metal impurities was consistent within bundles. Grinding and polishing marks visible under a scanning electron microscope provide evidence for the earliest industrial use of lathes for polishing. A collection of objects from the mausoleum and 12 terracotta warriors were displayed at the British Museum in London as its special exhibition "The First Emperor: China's Terracotta Army" from 13 September to April Warriors and other artifacts were exhibited to the public at the Forum de Barcelona in Barcelona between 9 May and 26 September It was their most successful exhibition ever.
Soldiers and related items were on display from 15 March to 17 November , at the Historical Museum of Bern. An exhibition tour of real-size replicas of Terracotta statues was displayed in the German cities of Frankfurt am Main , Munich , Oberhof , Berlin at the Palace of the Republic and Nuremberg between and The face of each soldier is constructed to be unique. The Terracotta Warriors were once painted. Today only a handful of statues contain small amounts of paint. Stone armor suit on display in the National Geographic Museum. From Wikipedia, the free encyclopedia.
Collection of ancient Chinese military statues.
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Main article: Mausoleum of the First Qin Emperor. International Journal of Radiation Applications and Instrumentation. Part D. Nuclear Tracks and Radiation Measurements. After he unified his empire, , men were sent there from all over his empire. They dug down deep to underground springs, pouring copper to place the outer casing of the coffin. Palaces and viewing towers housing a hundred officials were built and filled with treasures and rare artifacts.
Workmen were instructed to make automatic crossbows primed to shoot at intruders. Mercury was used to simulate the hundred rivers, the Yangtze and Yellow River, and the great sea, and set to flow mechanically. Above, the heaven is depicted, below, the geographical features of the land. Candles were made of "mermaid"'s fat which is calculated to burn and not extinguish for a long time. The Second Emperor said: "It is inappropriate for the wives of the late emperor who have no sons to be free", ordered that they should accompany the dead, and a great many died.
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